Sketchbook 1
Sketchbook 1
Attributed to Alec Fleming
Date not recorded · Watercolour; sketchbook
Review build — the catalogue is a working document and records are subject to continuing research.
Archive
The working material of the catalogue: sketchbooks and loose drawings, the evidence of signatures, inscriptions and markings on the reverse, and research linking studies to finished paintings.
01
The core of the collection: approximately 342 paintings, catalogued individually with material, support, dimensions, verso, comments, condition and attribution.
343 numbered entries, 342 with a reference photograph. No current image is recorded for no. 20a. Numbers 66 and 224 are control numbers with no work attached; 123–132 are reserved in the catalogue for sketchbooks.
02
The seven sketchbooks in the catalogue’s inventory, each recorded with its attribution, contents, condition and notes. Individual pages have not yet been photographed or catalogued.
Sketchbook 1
Attributed to Alec Fleming
Date not recorded · Watercolour; sketchbook

Sketchbook 2
Attributed to Alec Fleming
Date not recorded · Watercolour and pencil; sketchbook
Sketchbook 3
Attributed to Alec Fleming
Date not recorded · Watercolour, pencil and ink; sketchbook
Sketchbook 4
Attributed to Alec Fleming
Date not recorded · Watercolour; sketchbook

Sketchbook 5
Attributed to Alec Fleming
Date not recorded · Pencil; sketchbook
Sketchbook 6
Attributed to Alec Fleming
Date not recorded · Watercolour; sketchbook
Sketchbook 7
Attributed to Alec Fleming
Date not recorded · Watercolour; sketchbook
03
Oil studies described as such in the catalogue, and the two sheaf bundles of loose sketches: Sheaf Bundle 1, Alec Fleming’s, and Sheaf Bundle 2, Barbara Fleming’s. The sheets within each bundle have not yet been catalogued individually.

Cat. 3
Attributed to Alec Fleming
Possibly mid-1960s, in style · Oil on hardboard

Cat. 4
Attributed to Alec Fleming
Date not recorded · Oil on hardboard, unvarnished

Cat. 16
Attributed to Alec Fleming
1970s (approximate) · Oil on primed hardboard

Cat. 17
Alec Fleming
Date not recorded · Oil on unprimed prepared board

Cat. 17a
Attributed to Alec Fleming
Date not recorded · On the verso to Young Woman In A Turquoise Dress. Oil on prepared board

Cat. 18
Attributed to Alec Fleming
Date not recorded · Oil on reverse of primed hardboard

Cat. 19
Attributed to Alec Fleming
Date not recorded · Oil on the smooth face of primed hardboard
Cat. 20a
Attributed to Alec Fleming
1970s (approximate) · Oil on hard board

Cat. 26
Attributed to Alec Fleming
Date not recorded · Oil on hardboard

Cat. 62
Attributed to Alec Fleming
1970s (approximate) · Oil on hard board

Cat. 79
Alec Fleming
Date not recorded · Oil on hard board

Cat. 80
Alec Fleming
Date not recorded · Oil on hard board

Cat. 94
Possibly Alec Fleming (attribution uncertain)
Date not recorded · Oil on hard board

Cat. 118
Attributed to Alec Fleming
1940s–1950s (approximate) · Oil on hard board

Cat. 133
Attributed to Alec Fleming
1950s (approximate) · Oil on hard board

Cat. 141
Attributed to Alec Fleming
1940s (approximate) · Oil on hand stretched canvas

Cat. 147
Attributed to Barbara Fleming
Date not recorded · Oil on toothed side of hard board

Cat. 153
Attributed to Alec Fleming
1960s (approximate) · Oil on hard board

Cat. 158
Attributed to Alec Fleming
Date not recorded · Not recorded

Cat. 170
Attributed to Alec Fleming
Date not recorded · Oil on hardboard

Cat. 174
Attributed to Alec Fleming
Date not recorded · Oil on hard board

Cat. 183
Attributed to Alec Fleming
Date not recorded · Oil on hard board
![Reference photograph of catalogue no. 184: Study of a woman in a black sweater with a white collar against a wall [ torso].](/__l5e/assets-v1/b7e5c53a-d96a-419d-afba-23fcb039d6f6/cat-184-web.jpg)
Cat. 184
Attributed to Alec Fleming
1960s–1970s (approximate) · Oil on hard board

Cat. 185
Attributed to Alec Fleming
1970s (approximate) · Oil on hard board

Cat. 187
Attributed to Alec Fleming
1960s–1970s (approximate) · Oil on hard board

Cat. 188
Attributed to Alec Fleming
1970s (approximate) · Oil on hard board

Cat. 192
Attributed to Alec Fleming
1970s (approximate) · Oil on hard board

Cat. 194
Alec Fleming
1970s (approximate) · Oil on hard board

Cat. 195
Attributed to Barbara Fleming
Date not recorded · Oil on hard board

Cat. 202
Attributed to Alec Fleming
1960s–1970s (approximate) · Oil on hard board

Cat. 204
Attributed to Alec Fleming
Date not recorded · Oil on hard board

Cat. 205
Possibly Alec Fleming (attribution uncertain)
1970s (approximate) · Oil on hard board

Cat. 210
Possibly Alec Fleming (attribution uncertain)
Date not recorded · Oil on hard board

Cat. 211
Possibly Alec Fleming (attribution uncertain)
Date not recorded · Oil on hard board

Cat. 219
Attributed to Alec Fleming
1960s (approximate) · Oil on hard board

Cat. 221
Attributed to Alec Fleming
1960s (approximate) · Oil on hard board

Cat. 222
Attributed to Alec Fleming
Date not recorded · Oil on hard board

Cat. 223
Possibly Alec Fleming (attribution uncertain)
Date not recorded · Oil on hard board

Cat. 225
Possibly Alec Fleming (attribution uncertain)
Date not recorded · Oil on hard board

Cat. 226
Attributed to Alec Fleming
Date not recorded · Oil on hard board

Cat. 228
Possibly Alec Fleming (attribution uncertain)
Date not recorded · Oil on hard board

Cat. 295
Possibly Alec Fleming (attribution uncertain)
1960s (approximate) · Oil on hard board

Cat. 324
Attributed to Alec Fleming
1950s (approximate) · Oil on hard board

Cat. 336
Attributed to Alec Fleming
1950s (approximate) · Oil on hard board

Cat. 341
Attributed to Alec Fleming
1960s (approximate) · Oil on hard board

Sheaf Bundle 1
Attributed to Alec Fleming
Date not recorded · Watercolour and drawing; loose sheets

Sheaf Bundle 2
Attributed to Barbara Fleming
Date not recorded · Watercolour; loose sheets
04
Signatures as recorded in the catalogue. Where a work is unsigned, the catalogue says so. A signature is the firmest evidence of attribution available for most works in the collection.
| No. | Work | Signature |
|---|---|---|
| Cat. 1 | Woman in a Pearl NecklaceAttributed to Alec Fleming | No signature |
| Cat. 2 | Self Portrait – Alec FlemingAttributed to Alec Fleming | No signature |
| Cat. 3 | Self Portrait – Head, Alec FlemingAttributed to Alec Fleming | No signature |
| Cat. 4 | African VioletsAttributed to Alec Fleming | Signed lower left |
| Cat. 5 | The Abandoned Watering CanBarbara Fleming | Signed ‘B. Fleming’, underlined, lower left |
| Cat. 6 | The Rowing BoatBarbara Fleming | Signed ‘B Fleming’ lower right |
| Cat. 7 | The CornfieldPossibly Barbara Fleming (attribution uncertain) | No signature |
| Cat. 8 | Still Life with PearsPossibly Alec Fleming (attribution uncertain) | No signature |
| Cat. 9 | Farm Buildings FranceAttributed to Alec Fleming | Signature in block capitals to the lower right. |
| Cat. 12 | The GrindstoneBarbara Fleming | Signed in red B Fleming bottom right. |
| Cat. 13 | A Box Of FigsAttributed to Alec Fleming | No signature. |
| Cat. 17 | Woman In A Turquoise DressAlec Fleming | Signed A Fleming, bottom right. |
| Cat. 18 | Head of a Woman In A Green SweaterAttributed to Alec Fleming | Signed in marker pen lower right hand. |
| Cat. 20 | Woman in a Yellow SweaterAttributed to Alec Fleming | Signed A Fleming in marker, bottom right hand side. |
| Cat. 22 | Woman in A Yellow DressAttributed to Alec Fleming | Signed A Fleming in marker bottom right. |
| Cat. 23 | The Village SquareAttributed to Alec Fleming | No signature. |
| Cat. 24 | The White HouseAttributed to Alec Fleming | No signature. |
| Cat. 25 | Church By The RiverPossibly Barbara Fleming (attribution uncertain) | No signature-? ?????? |
| Cat. 26 | Study of a man with a moustache - Head and ShouldersAttributed to Alec Fleming | No signature. |
| Cat. 28 | Head of Bearded ManAttributed to Alec Fleming | No signature. |
| Cat. 32 | The Rush PondAttributed to Barbara Fleming | No signature. |
| Cat. 33 | Still Life With OystersAttributed to Alec Fleming | No signature. |
| Cat. 35 | The HarbourAttributed to Alec Fleming | No signature. |
| Cat. 36 | The Wheat FeldAttributed to Alec Fleming | No signature. |
| Cat. 41 | View Through A Stand Of TreesAttributed to Alec Fleming | Signed A Fleming in block capitals to the bottom left. |
| Cat. 51 | The Or- namental PondAttributed to Barbara Fleming | No signature. |
| Cat. 53 | Portrait of A Long Haired ManAttributed to Alec Fleming | No signature. |
| Cat. 56 | The Tulip BowlAttributed to Alec Fleming | No signature. |
| Cat. 57 | The Geranium GardenAttributed to Barbara Fleming | No signature. |
| Cat. 58 | Church With Cypress TreesAttributed to Alec Fleming | No signature. |
| Cat. 59 | White Gables By A StreamAttributed to Alec Fleming | No signature. |
| Cat. 60 | House By The River BridgeAttributed to Barbara Fleming | No signature. |
| Cat. 62 | Study of Barbara FlemingAttributed to Alec Fleming | No signature. |
| Cat. 63 | White RowAttributed to Alec Fleming | No signature. |
| Cat. 65 | The Red DoorAttributed to Barbara Fleming | No signature. |
| Cat. 69 | Man Walking in The WoodsAttributed to Alec Fleming | No signature. |
| Cat. 70 | Red RoofsAttributed to Barbara Fleming | No signature. |
| Cat. 71 | Red Roofs Across The ValleyAttributed to Barbara Fleming | No signature. |
| Cat. 73 | Rainy CityAttributed to Alec Fleming | No signature. |
| Cat. 74 | The Red Sail BoatAttributed to Alec Fleming | No signature. |
| Cat. 76 | Spring FlowersAlec Fleming | Signed A Fleming in red paint. |
| Cat. 77 | Still Life with Bottles And OrangeAttributed to Barbara Fleming | No signature. |
| Cat. 79 | Portrait of LilyAlec Fleming | Signed A Fleming in red paint] |
| Cat. 80 | Farmhouse With FieldsAlec Fleming | Signed A Fleming in graphite. |
| Cat. 85 | The Cut TreeAttributed to Barbara Fleming | No signature. |
| Cat. 86 | Un Petit Hameau The Small Hamlet- assignedAttributed to Alec Fleming | No signature. |
| Cat. 87 | The Sky ScraperAttributed to Alec Fleming | No signature. |
| Cat. 90 | The PoolAttributed to Alec Fleming | No signature. |
| Cat. 92 | Woman In a Blue SweaterAttributed to Alec Fleming | No signature. |
| Cat. 93 | The SerenadeAttributed to Alec Fleming | Signed in red paint -lower right. |
| Cat. 96 | Fantasia Under The SeaAttributed to Barbara Fleming | No signature. |
| Cat. 98 | Orange Flowers in a BlueAttributed to Alec Fleming | No signature. |
| Cat. 99 | The Castle On The HillAttributed to Barbara Fleming | No signature. |
| Cat. 100 | Tree By The SeaAttributed to Barbara Fleming | No signature. |
| Cat. 101 | Boats Off The ShoreAttributed to Alec Fleming | No signature. |
| Cat. 103 | OnionsAttributed to Alec Fleming | Unsigned. |
| Cat. 104 | A PoppyAttributed to Barbara Fleming | Unsigned. |
| Cat. 105 | Fruit Trees By A FenceAttributed to Barbara Fleming | Unsigned. |
| Cat. 108 | A Mountain VillageAttributed to Alec Fleming | No signature. |
| Cat. 109 | Houses In The WoodAttributed to Alec Fleming | Unsigned. |
| Cat. 110 | The Straight RoadAttributed to Barbara Fleming | Unsigned. |
| Cat. 111 | StonesAttributed to Alec Fleming | No signature. |
| Cat. 112 | A French Street SceneAttributed to Barbara Fleming | No signature. |
| Cat. 113 | LiliesAttributed to Barbara Fleming | No signature. |
| Cat. 116 | Orange flowersAttributed to Barbara Fleming | No signature. |
| Cat. 117 | The LakeAttributed to Alec Fleming | Unsigned. |
| Cat. 118 | Woman With A Yellow CollarAttributed to Alec Fleming | Unsigned. |
| Cat. 120 | NasturtiumsAttributed to Barbara Fleming | No signature. |
| Cat. 121 | Courting CoupleAttributed to Barbara Fleming | No signature. |
| Cat. 134 | The MountainAttributed to Alec Fleming | No signature. |
| Cat. 137 | Red RoseAlec Fleming | Signed bottom right in red paint. |
| Cat. 138 | MischiefBarbara Fleming | Signature- B M Fleming to bottom left in red paint. |
| Cat. 138a | Houses By The RiverAttributed to Barbara Fleming | No signature. |
| Cat. 138e | CarnationsAttributed to Barbara Fleming | No signature. |
| Cat. 139 | OnionsAttributed to Barbara Fleming | No signature. |
| Cat. 140 | Winter VegetablesAttributed to Barbara Fleming | No signature. |
| Cat. 142 | Still Life Onions in A BagAttributed to Alec Fleming | No signature. |
| Cat. 143 | Orange TreesBarbara Fleming | Signature in pencil B M Fleming bottom right. |
| Cat. 144 | BloomsAlec Fleming | Signature in brown paint bottom right. |
| Cat. 145 | The BridgeAttributed to Alec Fleming | No signature. |
| Cat. 147 | Study of a Bearded ManAttributed to Barbara Fleming | Unsigned. |
| Cat. 151 | WagonsAttributed to Barbara Fleming | Unsigned. |
| Cat. 157 | Standing Self PortraitAttributed to Alec Fleming | Unsigned. |
| Cat. 158 | Portrait of a Red Headed WomanAttributed to Alec Fleming | Unsigned. |
| Cat. 161 | The KitchenAttributed to Barbara Fleming | No signature. |
| Cat. 165 | The Winding RoadAttributed to Barbara Fleming | Unsigned. |
| Cat. 166 | The Road In WinterAttributed to Alec Fleming | Unsigned. |
| Cat. 169 | Two Trees LaneAttributed to Alec Fleming | Unsigned. |
| Cat. 170 | Study of a Woman In Blue Shirt and HeadscarfAttributed to Alec Fleming | No signature. |
| Cat. 171 | The Stone BridgeAttributed to Alec Fleming | Unsigned. |
| Cat. 174 | The CaveAttributed to Alec Fleming | Unsigned. |
| Cat. 177 | The StepsAttributed to Alec Fleming | Unsigned. |
| Cat. 182 | The Lowering SkyAttributed to Alec Fleming | Unsigned. |
| Cat. 183 | Study of A Man Wearing SpectaclesAttributed to Alec Fleming | Unsigned. |
| Cat. 184 | Study of a Woman in a Black SweaterAttributed to Alec Fleming | Unsigned. |
| Cat. 185 | Study of a Woman KnittingAttributed to Alec Fleming | Unsigned. |
| Cat. 190 | Woman In A High Necked DressAttributed to Alec Fleming | Signed and underlined Untypically signed A Fleming in red paint bottom right. |
| Cat. 193 | Mountains With DaffodilsAttributed to Alec Fleming | Unsigned. |
| Cat. 194 | A Study of Woman Knitting a GarmentAlec Fleming | Signed A Fleming in red paint bottom right. |
| Cat. 195 | A Study of Flowers In A VaseAttributed to Barbara Fleming | No signature. |
| Cat. 196 | Peonies in a white vaseAttributed to Barbara Fleming | No signature. |
| Cat. 197 | Bridge Over A CreekAttributed to Barbara Fleming | No signature. |
| Cat. 198 | Yellow Spray Of FlowersAttributed to Barbara Fleming | No signature. |
| Cat. 199 | Hut by a LakeAttributed to Barbara Fleming | No signature. |
| Cat. 201 | The GondolaAttributed to Alec Fleming | No signature. |
| Cat. 202 | Study of a male partially nudeAttributed to Alec Fleming | No signature. |
| Cat. 203 | The Green DressAttributed to Alec Fleming | No signature. |
| Cat. 208 | Girl in A Green ShirtAttributed to Alec Fleming | No signature] |
| Cat. 217 | The White ChairAttributed to Barbara Fleming | Unsigned. |
| Cat. 226 | Woman In A Blue ShirtAttributed to Alec Fleming | No signature. |
| Cat. 227 | The GardenAttributed to Alec Fleming | Unsigned. |
| Cat. 228 | Study of A Woman Engrossed In A BookPossibly Alec Fleming (attribution uncertain) | Unsigned. |
| Cat. 229 | At The WindowAttributed to Alec Fleming | No signature. |
| Cat. 230 | The HamletBarbara Fleming | Signed B Fleming in white paint, bottom left. |
| Cat. 231 | A Pyrenean Village sicBarbara Fleming | Signed B M Fleming. |
| Cat. 232 | The Archway and StepsBarbara Fleming | Signed B Fleming in dark red paint. |
| Cat. 233 | The TreesBarbara Fleming | Signed B Fleming bottom right in red paint. |
| Cat. 235 | LonelinessBarbara Fleming | Signed B Fleming bottom left. |
| Cat. 236 | A Walnut Tree In ThePyreneesBarbara Fleming | Signed B M Fleming in dark paint. |
| Cat. 239 | The Water MillBarbara Fleming | Signed B M Fleming in red paint bottom right. |
| Cat. 240 | The FarmAttributed to Barbara Fleming | No signature. |
| Cat. 242 | Church By The WaterBarbara Fleming | Signature in paint bottom left. |
| Cat. 243 | Spanish LandscapeBarbara Fleming | Signed B M Fleming. |
| Cat. 244 | ChrysanthemumsBarbara Fleming | Signed B Fleming in brown paint, bottom right. |
| Cat. 245 | The Barn SpainBarbara Fleming | Signature in paint bottom left. |
| Cat. 249 | Still Life With PearsAttributed to Barbara Fleming | Unsigned. |
| Cat. 250 | In The ShadeBarbara Fleming | Signed B Fleming bottom left in brown paint. |
| Cat. 251 | A Medieval Street- FranceAttributed to Barbara Fleming | No signature. |
| Cat. 253 | FloribundaBarbara Fleming | Signed B Fleming in red paint bottom right. |
| Cat. 255 | Village In The DistanceAttributed to Barbara Fleming | No signature. |
| Cat. 256 | La Tour PointeuseAttributed to Barbara Fleming | No signature. |
| Cat. 257 | Yellow Spring FlowersAttributed to Barbara Fleming | Unsigned. |
| Cat. 258 | The GondoliersBarbara Fleming | Signed B Fleming in brown paint bottom right. |
| Cat. 259 | SunflowersBarbara Fleming | Signed in blue paint bottom right. |
| Cat. 260 | DahliasBarbara Fleming | Signed B Fleming in red paint to bottom left. |
| Cat. 262 | The Hay BarnBarbara Fleming | Signed B Fleming bottom right in red paint. |
| Cat. 263 | Village Street Southern FranceBarbara Fleming | Signed B M Fleming in red paint bottom right. |
| Cat. 267 | The InclineAttributed to Barbara Fleming | No signature. |
| Cat. 268 | PoppiesBarbara Fleming | Signed B M Fleming in brown paint bottom right. |
| Cat. 269 | The Washing LineAttributed to Barbara Fleming | Unsigned. |
| Cat. 271 | At The CafeBarbara Fleming | Signed B Fleming in red paint bottom right hand. |
| Cat. 273 | Village In Algarve Southern PortugalBarbara Fleming | Signed B Fleming bottom left corner. |
| Cat. 275 | Market PlaceBarbara Fleming | Signed B Fleming in red paint in bottom right. |
| Cat. 277 | DaffodilsBarbara Fleming | Signature bottom right in blue paint. |
| Cat. 278 | Mountain VistaAttributed to Barbara Fleming | Unsigned. |
| Cat. 279 | MargueritesBarbara Fleming | Signed in red paint bottom right. |
| Cat. 286 | Woman In A Navy ScarfAttributed to Alec Fleming | No signature. |
| Cat. 289 | Going To ChurchBarbara Fleming | Signed B Fleming bottom left in paint. |
| Cat. 290 | In The ShadeBarbara Fleming | Signed B Fleming bottom left. |
| Cat. 291 | PelargoniumsAttributed to Barbara Fleming | Unsigned. |
| Cat. 296 | The ValeBarbara Fleming | Signed B Fleming in paint bottom right. |
| Cat. 297 | Numero Cuarto BerdunBarbara Fleming | Signed on bottom right. |
| Cat. 298 | TulipsBarbara Fleming | Signed B Fleming in paint bottom left. |
| Cat. 311 | Portrait of a Woman In A Summer DressAttributed to Alec Fleming | Signed on the painted surface by a later hand A Fleming in marker, bottom right. |
| Cat. 314 | The Breakfast TableAttributed to Alec Fleming | Signed A Fleming in marker in a later hand. |
| Cat. 317 | Portrait of a Man in Traditional South African DressAttributed to Alec Fleming | Signed A Fleming in capitals in marker by a later hand bottom right. |
| Cat. 320 | Rose BowlAlec Fleming | Signed A Fleming. |
| Cat. 323 | The VillageAttributed to Alec Fleming | Signed A Fleming in marker by a later hand. |
| Cat. 326 | Woman In A Red ShirtAlec Fleming | Signed A Fleming in white paint bottom right. |
| Cat. 331 | The GatewayAlec Fleming | Signed by A Fleming in red paint. |
| Cat. 334 | French SceneAlec Fleming | Signed A Fleming in red paint lower right. |
| Cat. 335 | Portrait of A GirlAlec Fleming | Signed A Fleming in red paint lower right. |
| Cat. 336 | Study of a Woman In YellowAttributed to Alec Fleming | Unsigned. |
| Cat. 338 | CarolyneAttributed to Alec Fleming | Unsigned. |
| Cat. 340 | The Ash CloudAlec Fleming | Signed A Fleming bottom right. |
| Cat. 341 | Study of a Man in a High Collared JacketAttributed to Alec Fleming | Signed in marker bottom right by a later hand, possibly the attributor. |
| Cat. 346 | Red LiliesAttributed to Alec Fleming | Unsigned. |
Placeholder — content to be supplied
Photographs of signatures and verso markings have not yet been supplied.
05
Markings, labels and inscriptions on the reverse of each painting, as recorded in the catalogue.
Many boards are marked “A Fleming” in marker pen, in block capitals, on the reverse. Some of these may be by Barbara Fleming.
It is unlikely that the same marker pen, in the same hand and in the same position on the board, would have been used over several decades. In places the marker is written over older paint marks, staining and scarring, which suggests a later application — potentially at a single date, to denote ownership rather than attribution, and probably by Alec Fleming.
| No. | Work | Reverse |
|---|---|---|
| Cat. 1 | Woman in a Pearl NecklaceAttributed to Alec Fleming | ‘B. F’ in marker on the rear, to the top of the canvas overlap. ‘A Fleming’ in pencil. |
| Cat. 2 | Self Portrait – Alec FlemingAttributed to Alec Fleming | ‘A Fleming’ in marker, in block capitals. |
| Cat. 3 | Self Portrait – Head, Alec FlemingAttributed to Alec Fleming | ‘A Fleming’ in marker, in block capitals. |
| Cat. 4 | African VioletsAttributed to Alec Fleming | ‘A F’ initials in block capitals to the left-hand side. |
| Cat. 5 | The Abandoned Watering CanBarbara Fleming | ‘A Fleming’ in block capitals in marker. Some water marking. Some indistinct lettering in green paint. |
| Cat. 6 | The Rowing BoatBarbara Fleming | ‘A Fleming’ in block capitals. Some random paint marking, likely accidental. |
| Cat. 7 | The CornfieldPossibly Barbara Fleming (attribution uncertain) | ‘A Fleming’ in marker, in block lettering. Some slight foxing. No water damage. |
| Cat. 8 | Still Life with PearsPossibly Alec Fleming (attribution uncertain) | ‘A Fleming’ in marker, in block letters. Some foxing. |
| Cat. 9 | Farm Buildings FranceAttributed to Alec Fleming | In pencil to the stretcher -[top] ‘Touille, Hte Garrone, France, 1953. Affixed label. ‘Farm Buildings France, Alec Fleming. 4 [Possibly one of a series. |
| Cat. 10 | Village Houses, FrancePossibly Alec Fleming (attribution uncertain) | A Fleming in marker in block letters. The palimpsest of an abandoned’fir st run’ sketch in red crayon, of the same scene. Affixed label shows dimension of the palette, plus 6 F [possibly the price] and a manufacturers label for the panel ]’au louvreunis France] |
| Cat. 11 | A Pastoral ScenePossibly Barbara Fleming (attribution uncertain) | A Fleming in marker in block letters. |
| Cat. 12 | The GrindstoneBarbara Fleming | A Fleming. block Letters in marker Some water staining to the reverse. Slight flattening damage to all four corners. |
| Cat. 13 | A Box Of FigsAttributed to Alec Fleming | A Fleming in marker- block letters. |
| Cat. 14 | Still Life -FruitPossibly Alec Fleming (attribution uncertain) | A Fleming [usual hand] in marker-block letters. |
| Cat. 15 | The FountainAttributed to Alec Fleming | Alex Fleming in block marker. |
| Cat. 16 | Study of A Young Woman In A Floral ShirtAttributed to Alec Fleming | A Fleming in marker- block letters. |
| Cat. 17 | Woman In A Turquoise DressAlec Fleming | An abandoned study for the same pose. |
| Cat. 17a | Sketch of a womanAttributed to Alec Fleming | To the reverse is a completed painting ‘Woman In A Turquoise Dress. |
| Cat. 18 | Head of a Woman In A Green SweaterAttributed to Alec Fleming | No significant marks to the reverse. |
| Cat. 19 | Study Of A Man In A Blue SweaterAttributed to Alec Fleming | A Fleming in block letters. Marker pen. |
| Cat. 20 | Woman in a Yellow SweaterAttributed to Alec Fleming | A nude long haired girl is sketched in oils on the verso. |
| Cat. 20a | Nude Study of a Seated GirlAttributed to Alec Fleming | This unfinished, advanced sketch is on the smooth reverse of Cat 20. |
| Cat. 21 | Standing NudeAttributed to Alec Fleming | A Fleming in block letters in marker. No other significant marks. |
| Cat. 22 | Woman in A Yellow DressAttributed to Alec Fleming | An address in script for a ‘Mr Gradwell, Carlisle Depot. An affixed sticker with the word ‘Appleby] Pencil measurements and a partial pencil sketch for the finished painting. |
| Cat. 23 | The Village SquareAttributed to Alec Fleming | A Fleming in block capitals- marker. Some tentative pencil marks, possibly a first pass at the sketch, on the toothed side of the board. |
| Cat. 24 | The White HouseAttributed to Alec Fleming | A Fleming in marker pen- in block capitals. |
| Cat. 25 | Church By The RiverPossibly Barbara Fleming (attribution uncertain) | A Fleming in marker to the rear. |
| Cat. 26 | Study of a man with a moustache - Head and ShouldersAttributed to Alec Fleming | A Fleming in block capitals in marker- No other distinguishing marks. |
| Cat. 27 | Cypress Trees in a ValleyAttributed to Barbara Fleming | A Fleming in block capitals on the toothed side of the board. |
| Cat. 28 | Head of Bearded ManAttributed to Alec Fleming | A Fleming in block capitals -marker pen. Water marking. |
| Cat. 29 | Dappled ShadePossibly Barbara Fleming (attribution uncertain) | A Fleming -Marker pen in block capitals. |
| Cat. 30 | Man FishingAttributed to Alec Fleming | A Fleming in block capitals to the rear, in marker pen. |
| Cat. 31 | Still Life- Vegetables With Cooking PotAttributed to Alec Fleming | A Fleming in block capitals- Marker pen. |
| Cat. 32 | The Rush PondAttributed to Barbara Fleming | Alec Fleming in block capitals. Some over- paintto the bottom rear. |
| Cat. 33 | Still Life With OystersAttributed to Alec Fleming | A Flemi ng in block capitals in marker. |
| Cat. 34 | The Cove From AbovePossibly Alec Fleming (attribution uncertain) | A Fleming. |
| Cat. 35 | The HarbourAttributed to Alec Fleming | A Fleming in block capitals. Some random white paint marks. |
| Cat. 36 | The Wheat FeldAttributed to Alec Fleming | A Fleming in marker. Block capitals. |
| Cat. 37 | Woman in A Blue Dress -Half FigureAttributed to Alec Fleming | A Fleming in block capitals- -marker pen. |
| Cat. 38 | The Tour PointeuseAttributed to Alec Fleming | A Fleming, block capitals in marker. |
| Cat. 39 | Man in a Purple JacketAttributed to Alec Fleming | A Fleming in block capitals- marker pen. |
| Cat. 40 | An Avenue Of TreesAttributed to Alec Fleming | A Fleming in blue block marker. Some random insignificant white paint marks. |
| Cat. 41 | View Through A Stand Of TreesAttributed to Alec Fleming | No attribution or ownership mark. |
| Cat. 42 | Jars and BottlesAttributed to Barbara Fleming | A Fleming in block capitals - in marker. |
| Cat. 43 | A Copse ofAttributed to Barbara Fleming | A Fleming in black marker- block capitals. |
| Cat. 44 | Cornfields With ChurchAttributed to Alec Fleming | A Daler sticker. A Fleming in blue marker. |
| Cat. 45 | Head of A Woman With Dark EyesAttributed to Alec Fleming | A Fleming in purple marker, block capitals. |
| Cat. 46 | Portrait of Barbara FlemingAttributed to Alec Fleming | A Fleming in blue marker. Block capitals. Some contact marks. |
| Cat. 47 | Still Life With Fruit and Wine BottleAttributed to Alec Fleming | A Fleming in marker - Block capitals. |
| Cat. 48 | A Church Lych GateAttributed to Alec Fleming | A Fleming in blue marker in block capitals. |
| Cat. 49 | Tumbledown BuildingsAttributed to Alec Fleming | A Fleming in blue marker in block capitals. |
| Cat. 50 | The BridgeAttributed to Barbara Fleming | A Fleming in faint pencil to the upper part. |
| Cat. 51 | The Or- namental PondAttributed to Barbara Fleming | A Fleming. |
| Cat. 52 | Stand Of Trees By WaterAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 53 | Portrait of A Long Haired ManAttributed to Alec Fleming | A Fleming in blue marker in block capitals. |
| Cat. 54 | Portrait of Barbara FlemingAttributed to Alec Fleming | A Fleming in blue marker. Some white paint scrubbe d into the centre of the toothed side. |
| Cat. 55 | The White ChurchAttributed to Barbara Fleming | Alec Fleming in marker. Block capitals. |
| Cat. 56 | The Tulip BowlAttributed to Alec Fleming | A Fleming in block capitals in marker. |
| Cat. 57 | The Geranium GardenAttributed to Barbara Fleming | A Fleming in block capitals. Some random white marks. |
| Cat. 58 | Church With Cypress TreesAttributed to Alec Fleming | A Fleming in Block capitals, with marker. |
| Cat. 59 | White Gables By A StreamAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 60 | House By The River BridgeAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 61 | The MagnoliaAttributed to Barbara Fleming | A Fleming in block capitals. |
| Cat. 62 | Study of Barbara FlemingAttributed to Alec Fleming | Portrait of B Fleming By A Fleming in marker. |
| Cat. 63 | White RowAttributed to Alec Fleming | A Fleming in blaock capitals. |
| Cat. 64 | Trees By A Winding RoadAttributed to Barbara Fleming | A Fleming in capitals. |
| Cat. 65 | The Red DoorAttributed to Barbara Fleming | A Fleming in capitals in marker. |
| Cat. 67 | The FenceAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 68 | The GladeAttributed to Barbara Fleming | Alec Fleming. in marker. some random marks. |
| Cat. 69 | Man Walking in The WoodsAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 70 | Red RoofsAttributed to Barbara Fleming | A Fleming in marker - Block capitals. |
| Cat. 71 | Red Roofs Across The ValleyAttributed to Barbara Fleming | A Fleming in marker A faint red painted preliminary sketch - indistinct. possibly of the scene. |
| Cat. 72 | Farmhouse with DovecoteAttributed to Alec Fleming | A Fleming in marker in block capitals. |
| Cat. 73 | Rainy CityAttributed to Alec Fleming | A Fleming in marker. A number of annotations in relation to four distinct sketches for further di verse compositions. With the recurrence of initial GS. |
| Cat. 74 | The Red Sail BoatAttributed to Alec Fleming | A Fleming in marker pen. Some random white paint marks. |
| Cat. 75 | Yellow Wild IrisesAttributed to Barbara Fleming | A Fleming in RED marker pen. A Daler sticker with sizes and a price 43p [post decimilisation] |
| Cat. 76 | Spring FlowersAlec Fleming | Sticker affixed. Alec Fleming- Spring Flowers. Some random white paint marks. A chalk circle. |
| Cat. 77 | Still Life with Bottles And OrangeAttributed to Barbara Fleming | Alec Fleming in black marker. |
| Cat. 78 | Roof TopsAttributed to Alec Fleming | A Fleming in block capitals in marker. |
| Cat. 79 | Portrait of LilyAlec Fleming | A label to the rear - Alec Fleming - with address, Titled ‘ Lily’ and a price £20. A large chalked ‘R’ possibly denoting rejection from an exhibition. Most likely signed for exhibition. |
| Cat. 80 | Farmhouse With FieldsAlec Fleming | A Fleming to the rear, in marker. |
| Cat. 81 | PortraitAttributed to Alec Fleming | Large chalk R possibly denoting rejection from an exhibition. Label with title ‘Portrait’ Mr Alec Fleming’ Address in Bowden and price £35. below the label is ‘A Fleming’ in pencil. |
| Cat. 82 | The BrunetteAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 83 | Boats in a CoveAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 84 | Sky ScrapersAttributed to Alec Fleming | A Fleming. |
| Cat. 85 | The Cut TreeAttributed to Barbara Fleming | A Fleming in blue marker. |
| Cat. 86 | Un Petit Hameau The Small Hamlet- assignedAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 87 | The Sky ScraperAttributed to Alec Fleming | A Fleming in block letters. |
| Cat. 88 | Mediterranean LandscapeAttributed to Alec Fleming | A Fleming. Some random white paint marks. |
| Cat. 89 | The WildernessAttributed to Alec Fleming | A Fleming in blue marker. |
| Cat. 90 | The PoolAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 91 | The Hilltop VillageAttributed to Alec Fleming | A Fleming in marker - block capitals. |
| Cat. 92 | Woman In a Blue SweaterAttributed to Alec Fleming | A Fleming in small script to the top. Some random white paint marks. |
| Cat. 93 | The SerenadeAttributed to Alec Fleming | Unusually no marks to the rear of the picture. |
| Cat. 94 | Woman In A Blue HeadscarfPossibly Alec Fleming (attribution uncertain) | A Fleming. Some contact marks. |
| Cat. 95 | White FabricAttributed to Alec Fleming | A Fleming in marker. Some random white paint marks. |
| Cat. 96 | Fantasia Under The SeaAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 97 | The MaelstromAttributed to Alec Fleming | A Fleming. |
| Cat. 98 | Orange Flowers in a BlueAttributed to Alec Fleming | A Fleming in marker pen. |
| Cat. 99 | The Castle On The HillAttributed to Barbara Fleming | A Fleming. |
| Cat. 100 | Tree By The SeaAttributed to Barbara Fleming | Alec Fleming in bold black marker \Auctioneers label Peter Wilson [ of Nantwic h] dated 2013 Number 18 Three stickers bearing the same -possibly consignment number 40739 Initials S F in pencil. |
| Cat. 101 | Boats Off The ShoreAttributed to Alec Fleming | A Fleming Some random blue paint marks. |
| Cat. 102 | The BloomAttributed to Barbara Fleming | A Fleming. |
| Cat. 103 | OnionsAttributed to Alec Fleming | Alec Fleming in black marker. |
| Cat. 104 | A PoppyAttributed to Barbara Fleming | A Fleming to the verso Some random white paint marks. |
| Cat. 105 | Fruit Trees By A FenceAttributed to Barbara Fleming | A Fleming faded blue marker. Some random white paint marks. |
| Cat. 106 | The Open BoxAttributed to Alec Fleming | A Fleming Black marker. |
| Cat. 107 | PeachesAttributed to Alec Fleming | A Fleming faded marker pen. |
| Cat. 108 | A Mountain VillageAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 109 | Houses In The WoodAttributed to Alec Fleming | A Fleming in faded marker Some random white marks. |
| Cat. 110 | The Straight RoadAttributed to Barbara Fleming | A Fleming in marker. A faint preliminary sketch, rudimentary details of the painted scene. |
| Cat. 111 | StonesAttributed to Alec Fleming | A Fleming. |
| Cat. 112 | A French Street SceneAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 113 | LiliesAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 114 | Pots with BrushAttributed to Barbara Fleming | A Fleming. Some random paint markings from primer coat. |
| Cat. 115 | LeavesAttributed to Barbara Fleming | A Fleming. some orange contact marks. |
| Cat. 116 | Orange flowersAttributed to Barbara Fleming | A Fleming. A feint blue ‘R’ possibly indicating an exhibition rejection. |
| Cat. 117 | The LakeAttributed to Alec Fleming | A Fleming. |
| Cat. 118 | Woman With A Yellow CollarAttributed to Alec Fleming | A Fleming in feint marker. |
| Cat. 119 | The Farm In The ValleyAttributed to Barbara Fleming | Alec Fleming in black marker. |
| Cat. 120 | NasturtiumsAttributed to Barbara Fleming | A Fleming. |
| Cat. 121 | Courting CoupleAttributed to Barbara Fleming | A Fleming. |
| Cat. 122 | A Distant Stand Of TreesAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 133 | Woman in a Navy JacketAttributed to Alec Fleming | Alec Fleming. |
| Cat. 134 | The MountainAttributed to Alec Fleming | A Fleming A rough and indistinct preliminary pencil sketch. |
| Cat. 135 | Picture of B FlemingAttributed to Alec Fleming | Picture of B Fleming by A Fleming 1949 in marker. |
| Cat. 136 | The BinsAttributed to Alec Fleming | A Fleming. |
| Cat. 137 | Red RoseAlec Fleming | A hand affixed label ‘Alec Fleming’ Red Rose £20 A chalk ‘R’ possibly denoting an exhibition rejection. |
| Cat. 138 | MischiefBarbara Fleming | Personal Label ‘Barbara Fleming - Mischief. |
| Cat. 138a | Houses By The RiverAttributed to Barbara Fleming | B Fleming in marker in the common later hand. |
| Cat. 138b | Parisian Street SceneAttributed to Barbara Fleming | B Fleming in black marker in the usual hand. |
| Cat. 138c | TubesAttributed to Barbara Fleming | B Fleming in black marker. usual hand. |
| Cat. 138d | Flowering PlantAttributed to Barbara Fleming | B Fleming in black marker in the usual hand. |
| Cat. 138e | CarnationsAttributed to Barbara Fleming | B Fleming in marker top centre A series of masking tapes have been added, now de- teriorating, at intervals on the rear of the sides and across the top. Likely easel fixings. |
| Cat. 139 | OnionsAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 140 | Winter VegetablesAttributed to Barbara Fleming | B Fleming. |
| Cat. 141 | B Fleming -The Artist’s WifeAttributed to Alec Fleming | A Fleming Wife -on the hand made stretcher in later black marker- usual hand. |
| Cat. 142 | Still Life Onions in A BagAttributed to Alec Fleming | A Fleming in purple marker [faded] |
| Cat. 143 | Orange TreesBarbara Fleming | Grange Cotton Canvas ‘ stamp to the side. Some residual faded masking tape. Possibly easel fixings. |
| Cat. 144 | BloomsAlec Fleming | Large white ‘R’ in chalk, suggests rejection from an exhibition submission. |
| Cat. 145 | The BridgeAttributed to Alec Fleming | A Fleming in blue marker A pre- liminiary indistinct charcoal sketch of the first composition. |
| Cat. 146 | The CountessAttributed to Barbara Fleming | A Fleming in purple marker. |
| Cat. 147 | Study of a Bearded ManAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 148 | Two Boats Up OnAttributed to Alec Fleming | The beginnings of a different painting show- ingan interior hallway in exaggerated perspective. |
| Cat. 149 | The Italian HouseAttributed to Alec Fleming | A Fleming in block capitals -Blue marker. |
| Cat. 150 | Fruit on green silkAttributed to Alec Fleming | A Fleming Black marker pen. |
| Cat. 151 | WagonsAttributed to Barbara Fleming | A Fleming in blue marker. |
| Cat. 152 | The Violin MakerAttributed to Alec Fleming | A F in marker to top. A Fleming in pencil on Daler label. |
| Cat. 153 | Self PortraitAttributed to Alec Fleming | A Fleming in blue marker. |
| Cat. 153a | NudeAttributed to Alec Fleming | A Fleming in black- marker. |
| Cat. 154 | Portrait of A Young Blonde Haired WomanAttributed to Alec Fleming | No marks. |
| Cat. 155 | Portrait of a Woman in a Cream ChemiseAttribution under research | A portrait of a seated woman in red tones *This almost full length portrait by A Fleming is equal in quality to its obverse. It is painted with bold strokes a vivid ‘fauvist palette and great depth of tone. The palette, composition and brush work are all untypical of Alec Fleming. This may have been an experimentation during his mature period. |
| Cat. 156 | The CottagesAttributed to Barbara Fleming | Verso A Fleming. |
| Cat. 157 | Standing Self PortraitAttributed to Alec Fleming | No significant marks. |
| Cat. 158 | Portrait of a Red Headed WomanAttributed to Alec Fleming | A Fleming in black marker. Some blue primer over paint. |
| Cat. 159 | Woman in a Pink BlouseAttributed to Alec Fleming | No significant marks to the verso. |
| Cat. 160 | Portrait Of The Artist With Wine Bottle and GlassesAttributed to Alec Fleming | A Fleming in marker pen A palimpsest of a stamp. |
| Cat. 161 | The KitchenAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 162 | The Family of AcrobatsAttributed to Barbara Fleming | A Fleming. |
| Cat. 163 | Going HomeAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 164 | The White HouseAttributed to Barbara Fleming | A Fleming in pencil. |
| Cat. 165 | The Winding RoadAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 166 | The Road In WinterAttributed to Alec Fleming | A Fleming in marker pen. Some random white paint marks. |
| Cat. 167 | The Farm PoolAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 168 | The Yellow BoyAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 169 | Two Trees LaneAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 170 | Study of a Woman In Blue Shirt and HeadscarfAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 171 | The Stone BridgeAttributed to Alec Fleming | A Fleming. |
| Cat. 172 | Summer Blooms In A VaseAttributed to Alec Fleming | A Fleming some random marks to the toothed surface. |
| Cat. 173 | The PalazzoAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 174 | The CaveAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 175 | Garden BootsAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 176 | The Herbaceous BorderAttributed to Barbara Fleming | A Fleming in black marker. |
| Cat. 177 | The StepsAttributed to Alec Fleming | A Fleming Some random white paint marks. |
| Cat. 178 | The Lone TreeAttributed to Alec Fleming | A Fleming in blue marker - capital letters. |
| Cat. 179 | The CavePossibly Alec Fleming (attribution uncertain) | In Ballpoint pen ‘Magnolias’ A Fleming, written over The Water Garden - B Fleming onto frame. |
| Cat. 180 | A Carpet of FlowersAttributed to Barbara Fleming | A Fleming in faded pen to verso. with stretcher wedges in place. |
| Cat. 181 | Still Life With Copper JugAttributed to Alec Fleming | Alex [sic ] Fleming Daler label with price 26 [post 1971] Gallery sticker - Dolphin Galleries Lymington. The piece is unfinished so unlikely to have been exhibited. Lable may be as a supplier of Daler Boards. |
| Cat. 182 | The Lowering SkyAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 183 | Study of A Man Wearing SpectaclesAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 184 | Study of a Woman in a Black SweaterAttributed to Alec Fleming | A Fleming in block letters in marker. No other significant marks. |
| Cat. 185 | Study of a Woman KnittingAttributed to Alec Fleming | A Fleming Significant wait paint marks to the verso. |
| Cat. 186 | Sea ScapeAttributed to Alec Fleming | A chalk circle - possibly a gallery mark from submission to an exhibit. |
| Cat. 187 | Study of A Young Girl With White CollarAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 188 | Study of a Woman in a Brown GiletAttributed to Alec Fleming | A Fleming to the verso in marker. |
| Cat. 189 | The Ruined BastideAttributed to Alec Fleming | A Fleming Some random white paint marks possibly from transportation. |
| Cat. 190 | Woman In A High Necked DressAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 191 | Woman in a Blue ScarfAttributed to Alec Fleming | A Fleming in blue marker. |
| Cat. 192 | Study of a Young Man With Long HairAttributed to Alec Fleming | A Fleming in marker No signicant marks. |
| Cat. 193 | Mountains With DaffodilsAttributed to Alec Fleming | A Fleming to the verso. |
| Cat. 194 | A Study of Woman Knitting a GarmentAlec Fleming | Some random white paint contact marks [ likely from batch priming and storage] |
| Cat. 195 | A Study of Flowers In A VaseAttributed to Barbara Fleming | A Fleming. |
| Cat. 196 | Peonies in a white vaseAttributed to Barbara Fleming | Alec Fleming in marker pen. |
| Cat. 197 | Bridge Over A CreekAttributed to Barbara Fleming | A Fleming. |
| Cat. 198 | Yellow Spray Of FlowersAttributed to Barbara Fleming | A Fleming some random white primer marks to verso. |
| Cat. 199 | Hut by a LakeAttributed to Barbara Fleming | A Fleming in marker - block capital. |
| Cat. 200 | SaplingsAttributed to Barbara Fleming | A Fleming in faint block capitals- marker pen. |
| Cat. 201 | The GondolaAttributed to Alec Fleming | An earlier sketch of the scene with differing proportions in pencil A Fleming in marker. Some contact marks in white paint. |
| Cat. 202 | Study of a male partially nudeAttributed to Alec Fleming | A Fleming Some white contact markers. |
| Cat. 203 | The Green DressAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 204 | Study of A Young Man In A Blue ShirtAttributed to Alec Fleming | A Fleming. Marker White gesso contact marks. |
| Cat. 205 | Study of a NudePossibly Alec Fleming (attribution uncertain) | A Fleming in purple marker. Block capitals. |
| Cat. 206 | Through TreesAttributed to Alec Fleming | A Fleming Slight water staining. |
| Cat. 207 | Nude With Long HairAttributed to Alec Fleming | A Fleming Very slight water marking to the verso. |
| Cat. 208 | Girl in A Green ShirtAttributed to Alec Fleming | A Fleming in pencil in a cursive hand. Primer contact marks. |
| Cat. 209 | The Field of GoldPossibly Barbara Fleming (attribution uncertain) | A Fleming Contact marks to the verso in white paint. |
| Cat. 210 | Study of a Woman With Short HairPossibly Alec Fleming (attribution uncertain) | Some white paint marks. A Fleming in blue marker. |
| Cat. 211 | Study of A Woman In A Blue and Red Striped JacketPossibly Alec Fleming (attribution uncertain) | A Fleming in marker. |
| Cat. 212 | Barbara Fleming paintingPossibly Alec Fleming (attribution uncertain) | A Fleming in marker My Wife B Fleming Number- 26988. |
| Cat. 213 | Portrait of A Woman With A Gold BroochAttributed to Alec Fleming | A Fleming in marker. Some random white paint marks. |
| Cat. 214 | Fruit TableauAttributed to Barbara Fleming | A Fleming in marker No marks. |
| Cat. 215 | A Forest Track at nightPossibly Alec Fleming (attribution uncertain) | A Fleming in marker. |
| Cat. 216 | Red BloomsAttributed to Barbara Fleming | Alex Fleming in marker. |
| Cat. 217 | The White ChairAttributed to Barbara Fleming | Alex Fleming in marker. |
| Cat. 218 | Yellow BloomsAttributed to Alec Fleming | Alex Fleming in marker Some white gesso contact marks. |
| Cat. 219 | Study of a woman in a pink blouseAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 220 | White Vase On A Blue StoolAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 221 | Study of a Young Woman in A Black SweaterAttributed to Alec Fleming | Alex Fleming in marker- changed to ‘Alec’ |
| Cat. 222 | Woman in a White CollarAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 223 | Woman With A Silver PendantPossibly Alec Fleming (attribution uncertain) | A Fleming in marker. |
| Cat. 225 | Woman In A Blue HeadscarfPossibly Alec Fleming (attribution uncertain) | A Fleming in marker. |
| Cat. 226 | Woman In A Blue ShirtAttributed to Alec Fleming | A Fleming in marker Some random white paint marks. Possibly from gesso- ing. |
| Cat. 227 | The GardenAttributed to Alec Fleming | An initial sketch of the painted scene in pencil. A Fleming in marker. |
| Cat. 228 | Study of A Woman Engrossed In A BookPossibly Alec Fleming (attribution uncertain) | A Fleming in marker. |
| Cat. 229 | At The WindowAttributed to Alec Fleming | A Fleming in black marker A chalk cross indicating rejection from an exhibition submission. |
| Cat. 230 | The HamletBarbara Fleming | White X probably denoting rejection from an exhibition submission. |
| Cat. 231 | A Pyrenean Village sicBarbara Fleming | Pyrenea n Village with artist’s name and address and a price are inscribed on a submission label for Crewe Music and Arts Society. £18. A chalk circle indicating acceptance at an exhibition. Barbara M Fleming in pencil. |
| Cat. 232 | The Archway and StepsBarbara Fleming | Random white gesso marks. |
| Cat. 233 | The TreesBarbara Fleming | Label ‘Mrs B M Fleming- Landscape’ |
| Cat. 234 | Woman In A BonnetAttributed to Barbara Fleming | B Fleming in blue chalk. |
| Cat. 235 | LonelinessBarbara Fleming | Label with the artist’s address A chalk circle suggesting acceptance to the first round of an exhibition. A separate chalk R, suggesting rejection at the next stage. |
| Cat. 236 | A Walnut Tree In ThePyreneesBarbara Fleming | A label Crewe Music And Arts Society giving the artists address and a price £18. A chalk circle indicating acceptance at an exhibition. |
| Cat. 237 | The EstuaryAttributed to Barbara Fleming | Chalk R Indicating rejection at an exhibition. A personal label with the artist's address and a price £20. |
| Cat. 238 | Stoneware BottlesAttributed to Barbara Fleming | B Fleming in black marker [ later attribution] |
| Cat. 239 | The Water MillBarbara Fleming | No marks to the verso. |
| Cat. 240 | The FarmAttributed to Barbara Fleming | B Fleming An initial sketch for the painting pencil. |
| Cat. 241 | PeoniesAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 242 | Church By The WaterBarbara Fleming | No marks. |
| Cat. 243 | Spanish LandscapeBarbara Fleming | G Fleming in cursive writing in chalk. |
| Cat. 244 | ChrysanthemumsBarbara Fleming | No marks. |
| Cat. 245 | The Barn SpainBarbara Fleming | Label showing artists address for submission and title X in chalk, suggesting rejection from an exhibition. |
| Cat. 246 | On The RocksAttributed to Barbara Fleming | B Fleming in black marker. Some white gesso marks. |
| Cat. 247 | In The ParkAttributed to Barbara Fleming | B Fleming in black marker. Some white random marks, probably from priming. |
| Cat. 248 | The Cleaning CupboardAttributed to Barbara Fleming | B Fleming in black marker [The usual attributor’s hand] |
| Cat. 249 | Still Life With PearsAttributed to Barbara Fleming | B Fleming in black marker to verso. |
| Cat. 250 | In The ShadeBarbara Fleming | No marks. |
| Cat. 251 | A Medieval Street- FranceAttributed to Barbara Fleming | Some primer marks. |
| Cat. 252 | The French FarmAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 253 | FloribundaBarbara Fleming | R in blue chalk, suggesting rejection from an exhibition. |
| Cat. 254 | Houses By The SeaAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 255 | Village In The DistanceAttributed to Barbara Fleming | B Fleming in black marker, Significant primer marks. |
| Cat. 256 | La Tour PointeuseAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 257 | Yellow Spring FlowersAttributed to Barbara Fleming | B Fleming in purple marker Velcro strip. |
| Cat. 258 | The GondoliersBarbara Fleming | Remnants of brown tape suggesting easel fixing. Some random primer marks. |
| Cat. 259 | SunflowersBarbara Fleming | Some easel tape, typical of B Fleming. |
| Cat. 260 | DahliasBarbara Fleming | No marks. |
| Cat. 261 | PoinsettiasAttributed to Barbara Fleming | No marks. Board is fixed into the wooden frame with parcel tape, faintly inscribed in capitals in ball point pen ‘Barbara Fleming’ |
| Cat. 262 | The Hay BarnBarbara Fleming | No marks. Some primer overspill. |
| Cat. 263 | Village Street Southern FranceBarbara Fleming | Label with title and Mrs B Fleming Chalk cross indicating a rejection from an exhibition submission A chalk 1 and 6 possibly indicate the number in a series submitted. Likely 1960s. |
| Cat. 264 | Canyon in South AfricaAttributed to Barbara Fleming | Easel tape remnants to all four sides.ca nvas is lifting from the stretcher. |
| Cat. 265 | Deserted Barn in FranceAttributed to Barbara Fleming | Inscribed in manuscript. Title plus 1. Barbara M Fleming In addition a label showing the artist’s name and Alderley Edge address. |
| Cat. 266 | The Garden ChairAttributed to Barbara Fleming | A Fleming in black capitals in marker. |
| Cat. 267 | The InclineAttributed to Barbara Fleming | A Daler manufacturers label. |
| Cat. 268 | PoppiesBarbara Fleming | Submission label. Crewe Music and Arts Society. The artist’s Bowden address with a price at exhibition of £10. |
| Cat. 269 | The Washing LineAttributed to Barbara Fleming | Copious primer marks and stains Barbara Fleming in ballpoint pen on the frame. On a side that suggests it was written for a different painting set in the frame earlier. |
| Cat. 270 | Spring In PortugalAttributed to Barbara Fleming | Personal label with title and ‘Barbara Fleming. |
| Cat. 271 | At The CafeBarbara Fleming | No marks. Some primer stains. |
| Cat. 272 | The Stone BridgeAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 273 | Village In Algarve Southern PortugalBarbara Fleming | Personal label with a the title Some primer marks. |
| Cat. 274 | TilesAttributed to Barbara Fleming | B Fleming in large manuscript in orange chalk. |
| Cat. 275 | Market PlaceBarbara Fleming | A Chalk R and X suggesting rejection at an exhibition submission. A personal label bearing the artist’s name and title with a £20 price. |
| Cat. 276 | The VillageAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 277 | DaffodilsBarbara Fleming | No marks. |
| Cat. 278 | Mountain VistaAttributed to Barbara Fleming | B Fleming in black marker. |
| Cat. 279 | MargueritesBarbara Fleming | No marks. |
| Cat. 280 | The GableAttributed to Barbara Fleming | B Fleming in marker. |
| Cat. 281 | Still Life With ApplesAttributed to Barbara Fleming | A chalk R indicating a submission rejection from exhibition. |
| Cat. 282 | ChrysanthemumsAttributed to Barbara Fleming | Label with title, artists name and Altrincham address with a price of £15. |
| Cat. 283 | Purple BloomsAttributed to Barbara Fleming | X indicating a rejection. |
| Cat. 285 | OnionsAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 286 | Woman In A Navy ScarfAttributed to Alec Fleming | A Fleming in black marker. som random primer marks. |
| Cat. 287 | Woman With Bobbed HairAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 288 | Woman In A White ShirtAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 289 | Going To ChurchBarbara Fleming | No marks to the verso. |
| Cat. 290 | In The ShadeBarbara Fleming | B Fleming in chalk manuscript. Label with the artists name and Bowden address. |
| Cat. 291 | PelargoniumsAttributed to Barbara Fleming | B Fleming With brown paper tape. |
| Cat. 292 | The Courgette PatchAttributed to Barbara Fleming | B Fleming in marker. |
| Cat. 293 | French ArtichokeAttributed to Barbara Fleming | Royal Academ y Summer Exhibition submission label with title and the artist’s Alderley Edge address. |
| Cat. 294 | Woman In A PinaforeAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 295 | Study of a Woman In A Leather WaistcoatPossibly Alec Fleming (attribution uncertain) | A Fleming in black marker. |
| Cat. 296 | The ValeBarbara Fleming | A label with the artist’s Altrincham address. |
| Cat. 297 | Numero Cuarto BerdunBarbara Fleming | A label with the artist's address. A chalk X showing rejection at an exhibition submission. |
| Cat. 298 | TulipsBarbara Fleming | A faint under- drawing of a young woman in three quarter view. |
| Cat. 298a | Woodland GladeAttributed to Barbara Fleming | A Fleming, Black marker some primer marks. |
| Cat. 299 | View To The ChurchAttributed to Barbara Fleming | A Fleming black marker. |
| Cat. 300 | A French ParkAttributed to Barbara Fleming | A Fleming in blue marker. |
| Cat. 301 | The Church Tower With MountainsAttributed to Barbara Fleming | A Fleming in blue marker. |
| Cat. 302 | A French Village SquareAttributed to Barbara Fleming | A Fleming in blue marker. |
| Cat. 303 | The Spectral WoodAttributed to Barbara Fleming | B Fleming in marker. Some contact marks. |
| Cat. 304 | The HermitAttributed to Barbara Fleming | A Fleming in blue mark. |
| Cat. 305 | IrisesAttributed to Barbara Fleming | A Fleming in marker. |
| Cat. 306 | Scudding CloudsAttributed to Barbara Fleming | A Fleming in black marker. |
| Cat. 307 | HyacinthsAttributed to Barbara Fleming | A Fleming in black marker. |
| Cat. 308 | The French ChurchAttributed to Barbara Fleming | A Fleming. |
| Cat. 309 | Autumn LeavesAttributed to Alec Fleming | A Fleming in black marker. |
| Cat. 310 | Rushing TideAttributed to Alec Fleming | A Fleming in black marker. Some contact marks. |
| Cat. 311 | Portrait of a Woman In A Summer DressAttributed to Alec Fleming | B F in marker. |
| Cat. 312 | BootsAttributed to Alec Fleming | A Fleming in pencil A Fleming in marker. |
| Cat. 313 | ReadingAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 314 | The Breakfast TableAttributed to Alec Fleming | A Fleming. |
| Cat. 315 | Apples In A BowlAttributed to Alec Fleming | A Fleming in marker. Some mild water marking on verso. |
| Cat. 316 | Portrait Of Barbara FlemingAttributed to Alec Fleming | A Fleming of B Fleming. |
| Cat. 317 | Portrait of a Man in Traditional South African DressAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 318 | Portrait of a Man In A Pink SweaterAttributed to Alec Fleming | Me’ in marker. |
| Cat. 319 | The Man In A Red ShirtAttributed to Alec Fleming | A Fleming. |
| Cat. 320 | Rose BowlAlec Fleming | A Fleming. |
| Cat. 321 | Flowers in a White VaseAttributed to Alec Fleming | Some random marks. |
| Cat. 322 | Woman In A Blue ShirtAttributed to Alec Fleming | A Fleming. |
| Cat. 323 | The VillageAttributed to Alec Fleming | Some primer marks. |
| Cat. 324 | Barbara Fleming- Nude StudyAttributed to Alec Fleming | Mrs B Fleming -My Wife. |
| Cat. 325 | Still LifeAttributed to Alec Fleming | A Fleming in marker. Some pencil sketches. |
| Cat. 326 | Woman In A Red ShirtAlec Fleming | Red label A Fleming with price ‘A Portrait A chalk A indicating acceptance at a submission. |
| Cat. 327 | Houses By The SeaAttributed to Alec Fleming | A Fleming. |
| Cat. 328 | Roses In A White VaseAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 329 | Man In RedAttributed to Alec Fleming | No marks. |
| Cat. 330 | Woman with Two ChildrenAttributed to Alec Fleming | A Fleming. |
| Cat. 331 | The GatewayAlec Fleming | Some random marks. |
| Cat. 332 | Portrait Of B FlemingAttributed to Alec Fleming | A Fleming of B Fleming a print- Royal Boards. |
| Cat. 333 | Wheat Fields With MountainsAttributed to Alec Fleming | Alec Fleming Significant primer markers to the verso. |
| Cat. 334 | French SceneAlec Fleming | Personal label ‘French Scene’ A Fleming £12 Some contact marks. |
| Cat. 335 | Portrait of A GirlAlec Fleming | Personal label Alec Fleming -Portrait of A Girl -£20 Bowden address. An R in chalk indicating submission to an exhibition and rejection. |
| Cat. 336 | Study of a Woman In YellowAttributed to Alec Fleming | A Fleming in marker. |
| Cat. 337 | HeadAttributed to Alec Fleming | In chalk A Fleming ‘Head’ 38 [in manuscript. |
| Cat. 338 | CarolyneAttributed to Alec Fleming | Personal label ‘Caroylne- artist A Fleming £30. |
| Cat. 339 | PortraitAttributed to Alec Fleming | Personal label- portrait £15 A Fleming chalk mark 11- possibly a submission number. |
| Cat. 340 | The Ash CloudAlec Fleming | No marks. |
| Cat. 341 | Study of a Man in a High Collared JacketAttributed to Alec Fleming | No marks. |
| Cat. 342 | Portrait of A Girl In A Fur JacketAttributed to Alec Fleming | Some contact marks. |
| Cat. 343 | Landscape In The TreesAttributed to Alec Fleming | Daler label. In manuscript A Fleming ‘landscape in the trees £15 A blue chalk 0 indicating acceptance at an exhibition. 17 possibly a series number. |
| Cat. 344 | Near The Pyrenees FranceAttributed to Alec Fleming | A personal label -Title with Alec Fleming and a circled 2. Possibly from exhibition submission. |
| Cat. 345 | Woman ReadingAttributed to Alec Fleming | An early unfinished expressionist still life on the toothed surface. |
| Cat. 346 | Red LiliesAttributed to Alec Fleming | A Fleming in faint manuscript. |
06
Works carrying a date by the artist or a dated inscription. Approximate dates are not included in this list.
None of the works catalogued so far carries a documented date. Approximate dates given on stylistic grounds are shown on the individual records.
Biographical chronologies appear on the Alec Fleming and Barbara Fleming pages.
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![Reference photograph of catalogue no. 184: Study of a woman in a black sweater with a white collar against a wall [ torso].](/__l5e/assets-v1/b7e5c53a-d96a-419d-afba-23fcb039d6f6/cat-184-web.jpg)

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