A Copse of

A copse of trees in dappled shade viewed from within- Portrait format. Probably a view of a wood in England. later in B Fleming’s career.

Possible the same subject as Cat 40. An accomplished exploration of the play of light through a copse. Taking a near ground viewpoint to enhance the drama of the composition, There is a strong feel- ing from the capture of light and shade, that Barbara Fleming was amongst this stand of trees as she painted, the same subject as Alec at Cat 40. The semi pointillist application of paint, with more colour directly from the tube, with smaller more hesitant brush marks is typical of B Fleming.

Attributed to Barbara Fleming.

Given to Barbara Fleming in the catalogue.

Catalogue wording: “Barbara Fleming”

How attributions are worded

A Fleming in black marker- block capitals.

The reverse is marked “A Fleming” in block capitals. Many boards in the collection carry this marking, and some of them are considered to be by Barbara Fleming. The marking may record ownership rather than authorship and is not treated here as evidence of attribution.

Excellent condition. Clean with no damage.