Reference photograph, catalogue sheet 30
Cat. 118 · Study
Woman With A Yellow Collar
1940s–1950s (approximate)
- Medium
- Oil on hard board
- Dimensions
- 36 cm × 30 cmAs recorded in the catalogue
- Date
- 1940s–1950s (approximate)Approximate period suggested in the catalogue commentary; not documented.
- Signature
- Unsigned.
- Catalogue no.
- Cat. 118
- Source
- Catalogue, entry 118
- Status
- Private collection
Description
A head and shoulders study of a middle aged woman in a yellow shirt with fawn sweater.
Commentary
Possibly painted contemporaneously with Cat 94 Woman With A Blue Head. A similar palette and approach to the skin tones. Bolder, more rigorous and looser than Alec Flemings late 1940s and 1950s portrait studies. Th e strong almost sculptural brush strokes and heavy impasto for the flesh tones, lean on Frank Auerbach’s influence and show that Alec Fleming was very aware of contemporaries.
Attribution
Attributed to Alec Fleming.
Given to Alec Fleming in the catalogue.
Catalogue wording: “Alec Fleming Unsigned”
Signature and inscriptions
Unsigned.
Verso
A Fleming in feint marker.
The reverse is marked “A Fleming” in block capitals. Many boards in the collection carry this marking, and some of them are considered to be by Barbara Fleming. The marking may record ownership rather than authorship and is not treated here as evidence of attribution.
Condition
Good Unvarnished.
Linked material
Related works
Related to

Woman In A Blue Headscarf
Possibly Alec Fleming (attribution uncertain)
Cross-referenced in the catalogue entry (cat. 94).
Further works
Alec Fleming
Cat. 1
Woman in a Pearl Necklace
Attributed to Alec Fleming
1930s in style · Oil on hand-stretched canvas, fixed with nails; unframed

Cat. 2
Self Portrait – Alec Fleming
Attributed to Alec Fleming
Possibly early to mid-1960s, in style · Oil on hardboard

Cat. 3
Self Portrait – Head, Alec Fleming
Attributed to Alec Fleming
Possibly mid-1960s, in style · Oil on hardboard

Cat. 4
African Violets
Attributed to Alec Fleming
Date not recorded · Oil on hardboard, unvarnished