Reference photograph, catalogue sheet 34
Cat. 141 · Study
B Fleming -The Artist’s Wife
1940s (approximate)
- Medium
- Oil on hand stretched canvas
- Dimensions
- 50 cm × 40 cmAs recorded in the catalogue
- Date
- 1940s (approximate)Approximate period suggested in the catalogue commentary; not documented.
- Signature
- Not recorded
- Catalogue no.
- Cat. 141
- Source
- Catalogue, entry 141
- Status
- Private collection
Description
A study of a young woman in profile in a blue dress against a grey background.
Commentary
Possibly immediately post war or late 1940s. A very early and accomplished Alec Fleming in an academic style, with little experimentation or influence from modern contemporary painters. No abstraction, texture, tonal variation or expressionistic palette. Probably painted from studio sittings.
Attribution
Attributed to Alec Fleming.
Given to Alec Fleming in the catalogue.
Catalogue wording: “Alec Fleming”
Verso
A Fleming Wife -on the hand made stretcher in later black marker- usual hand.
The reverse is marked “A Fleming” in block capitals. Many boards in the collection carry this marking, and some of them are considered to be by Barbara Fleming. The marking may record ownership rather than authorship and is not treated here as evidence of attribution.
Condition
Canvas is stretched with nails, with appropriate rusting and fading to the unprimed portions. Some small damage to painted surface, but not punctured through. Slight foxing due to age.
Provenance and research
Research notes
- The catalogue marks this title [given].
Further works
Alec Fleming
Cat. 1
Woman in a Pearl Necklace
Attributed to Alec Fleming
1930s in style · Oil on hand-stretched canvas, fixed with nails; unframed

Cat. 2
Self Portrait – Alec Fleming
Attributed to Alec Fleming
Possibly early to mid-1960s, in style · Oil on hardboard

Cat. 3
Self Portrait – Head, Alec Fleming
Attributed to Alec Fleming
Possibly mid-1960s, in style · Oil on hardboard

Cat. 4
African Violets
Attributed to Alec Fleming
Date not recorded · Oil on hardboard, unvarnished